The School of Fine Art and Music has prints generously donated by six distinguished Canadian artists for sale
All funds raised will contribute to student activities in the school.
Please CLICK HERE to purchase work
All prints must be collected from 201 Zavitz Hall by arrangement. Please email Martin Pearce at pearcem@uoguelph.ca
Thank You!
ARTIST: Derek Sullivan
TITLE: Citizen Denizen Resident
DATE: June – September 2005
UNIVERSITY OF GUELPH ARTIST PRESS I.D. NO.: 004
PAPER SIZE: 22″ x 30″
IMAGE SIZE: 19″ x 25″
THIS WORK WAS PRODUCED BY THE ARTIST IN COLLABORATION WITH: Allen Ash for Trial Proofing and Editing
EDITION RECORD: 30 Edition (numbered 1/30 – 30/30), 7 Artist’s Proofs, 1 B.A.T., 1 Printer’s Proof, 1 Studio Proof
PROCESS DESCRIPTION: This Screenprint was printed in two layers. The first layer is a graduated blend of three grey colours. The second layer is a hand rendered drawing by the artist and is printed in black. There are also an additional four signed Artist Proofs printed using a graduated blend of the colours magenta, process yellow, and cyan.
All impressions are printed on B.F.K. Rives 280 GSM paper with Speedball Permanent Acrylic Screen Printing Ink.
All impressions are signed and numbered in pencil on the front by the artist.
ARTIST: Nestor Kruger
TITLE: Loose Leaf
DATE: October 2005 – May 2006
UNIVERSITY OF GUELPH ARTIST PRESS I.D. NO.: 006
PAPER SIZE: 22″ x 30″
IMAGE SIZE: 11” x 17 1/2”
THIS WORK WAS PRODUCED BY THE ARTIST IN COLLABORATION WITH: Allen Ash for Trial Proofing and Editing
EDITION RECORD: 30 Edition (numbered 1/30 – 30/30), 9 Artist’s Proofs (numbered A.P. 1/9 – A.P. 9/9)
PROCESS DESCRIPTION: The pages and numbers for the image were drawn by the Artist using an Illustrator computer program and output onto film. The films were then exposed onto Silkscreens coated with photo emulsion and then hand printed. The finished print has five colours printed in the following order: Beige, Cyan Blue, Magenta, Black and Light Grey. Each editioned print contains a separate pairing of printed edition numbers. On the top right of each print there is a number out of 30 printed in black (i.e. 2/30); on the top left is the number preceding it printed in grey and reversed with with the first number of the edition (1/30) printed in black. The same numbering is applied to the Artist Proofs (A.P. 1/9 through A.P. 9/9).
All impressions are printed on B.F.K. Rives 280 GSM paper with Speedball Permanent Acrylic Screen Printing Ink.
All impressions are signed and numbered in pencil on the front by the artist.
ARTIST: Monica Tap
TITLE: Old Growth
DATE: August – October 2004
UNIVERSITY OF GUELPH ARTIST PRESS I.D. NO.: 003
PAPER SIZE: 22″ x 30″
IMAGE SIZE: 22″ x 30″
THIS WORK WAS PRODUCED BY THE ARTIST IN COLLABORATION WITH: Allen Ash for Trial Proofing and Editing
EDITION RECORD: 30 Edition (numbered 1/30 – 30/30), 5 Artist’s Proofs, 4 State Proofs 1 B.A.T., 1 Printer’s Proof, 1 Studio Proof
PROCESS DESCRIPTION: The image was drawn using an Illustrator computer program and output to film. The film was then exposed onto a photo-lithographic plate and then hand printed.
All impressions are printed on B.F.K. Rives 300 GSM paper with Speedball Permanent Acrylic Screen Printing Ink and Create Pure Pigments.
All impressions are signed and numbered in pencil on the front by the artist.
ARTIST: Tony Scherman
TITLE: Grace Kelly’s Evil Twin
DATE: July- October 2004
UNIVERSITY OF GUELPH ARTIST PRESS I.D. NO.: 001
PAPER SIZE: 22″ x 30″
IMAGE SIZE: 19” x 15”
THIS WORK WAS PRODUCED BY THE ARTIST IN COLLABORATION WITH: Allen Ash for Trial Proofing and Editing
EDITION RECORD: 30 Edition (numbered 1/30 – 30/30), 15 Artist’s Proofs, 1 Printer’s Proof, 1 Studio Proof
PROCESS DESCRIPTION: The line drawing was hand rendered by the artist onto a copper plate and then etched. After the line etching was inked and prior to the printing of each impression, the artist added ink with a brush to the plate. This results in a varied edition where each print differs slightly.
All impressions are printed on B.F.K. Rives 300 GSM paper with Charbonnel Etching Ink.
All impressions are signed and numbered in pencil on the front by the artist.
ARTIST: David Urban
TITLE: Fallen Tree
DATE: July – October 2004
UNIVERSITY OF GUELPH ARTIST PRESS I.D. NO.: 002
PAPER SIZE: 22″ x 30″
IMAGE SIZE: 17″ x 24″
THIS WORK WAS PRODUCED BY THE ARTIST IN COLLABORATION WITH: Allen Ash for Trial Proofing and Editing
EDITION RECORD: 30 Edition (numbered 1/30 – 30/30), 8 Artist’s Proofs, 1 B.A.T., 1 Printer’s Proof, 1 Studio Proof
PROCESS DESCRIPTION: The line drawing was hand rendered by the artist onto a copper plate and then etched. A second colour was added by hand rolling over the inked plate.
All impressions are printed on B.F.K. Rives 300 GSM paper with Charbonnel Etching Ink.
All impressions are signed and numbered in pencil on the front by the artist.
ARTIST: James Carl
TITLE: Content (mix litho)
DATE: August – December 2005
UNIVERSITY OF GUELPH ARTIST PRESS I.D. NO.: 005
PAPER SIZE: 22″ x 30″
IMAGE SIZE: 22″ x 30″
THIS WORK WAS PRODUCED BY THE ARTIST IN COLLABORATION WITH: Allen Ash for Trial Proofing and Editing
EDITION RECORD: 30 Edition (numbered 1/30 – 30/30), 7 Artist’s Proofs, 1 B.A.T., 1 Printer’s Proof, 1 Studio Proof
PROCESS DESCRIPTION: The image was drawn using an Illustrator computer program and output to film. The film was then exposed onto a photo-lithographic plate and then hand printed.
All impressions are printed on B.F.K. Rives 280 GSM paper with Graphic Chemical Lithographic Ink.
All impressions are numbered in pencil on the front and marked by the artist’s stamp.
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